Tuesday, November 11

Film: Interstellar Click for more info

I always hold a level of fear while going to watch a new Christopher Nolan film. That OCD-like behaviour I portray in other spheres of life tends to manifest while watching films too, which means I need to know everything about what happens, the mystery has to work out and everything needs to fall into place. That's not to say that I'm bothered by loose ends - it's never my fault if a script sucks (I'm looking at you, Equilibrium) - but it does bother me when I know it's my lack of concentration or ability to follow that's lacking.

Which brings us to Nolan. The wonderful thing about his films is how watertight they are. Everything makes sense (well within the bounds of the fiction his films are set in), all the pieces fit and the payoff when it all clicks together is almost always ecstatic. The downside is, of course, how damn difficult it is to watch a Nolan film to it fullest extent. I'm still not sure I understand Inception fully and the last time I watched The Prestige I think I picked up at least a handful of new insights. Nothing comes for free I guess.

Interstellar is a great film for both old and new reasons. It has the same multilayered, multidimensional (is there any Nolan film that doesn't play with the passage of time?) and puzzle box feel to it, yet appears to be the most accessible Nolan film to date. There's no head scratching here - okay fine, perhaps I'm overestimating the general level of physics knowledge out there, but I really don't think the science jargon was as much a barrier as, I dunno, dreaming within dreaming or running a film backwards. Even less so for all the trekkies and Whedon geeks out there for whom this will all be par for the course.

But Interstellar was also an action film, a character drama and, okay fine, a space opera (of sorts). You didn't need to put down your popcorn to concentrate if all you wanted was a good story. It was there.

There were flaws though. Some of the answers to the puzzles were a bit weak for Nolan, a result I feel of the lower cost of entry, and the whole thing just didn't feel as water tight as his previous films. Rather than see that as a step back however, I think its a sign of a maturing film maker who has realised enjoyment doesn't necessarily come from making your audience work very hard.

At the end of the day Interstellar is a brilliant film and one that has to be watched. Recommended.

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